Characters (who can swim) are worried about falling into trenches and off cliffs.
note Technically Truth in Television, as underwater brine pools don't have oxygen. Or even more extreme, characters can drown in them. Which hardly-if-at-all resemble brine pools or the real phenomenon of underwater lakes and almost certainly were not designed with those in mind. Or stretching it to extremes, there are rivers and lakes.(This is possible with proper fuel, which usually isn't used in this case. If you really want to stretch it, things can burn.This is possible if the liquid has a higher density than and is immiscible with water, but it never looks like it does in fiction. Characters can pour and drink cups of other liquids.Alternatively, long hair will act like it would underwater, but it will just sway around in artistically convenient ways, never tangling or getting in the way. Long hair still hangs down instead of drifting with your motion or water currents, and it won't get tangled around your head.This is acceptable for settings taking place in the photic zone but not when it's deeper. If it's daytime, there will be sunlight.Between human ears not being adapted to hearing underwater and the higher speed of sound in water, a human would hear muddied sounds coming from every direction at once. The direction of sounds will be easy to pinpoint. Sound being transmitted as clearly as through air.The effects of water pressure and temper ature are non-existent.Sand, silt and mud on the sea floor will stay on the seafloor rather than dispersing as clouds of the stuff at the tiniest disturbance. RC: Make sure you learn to draw from art school and life class. H: What advice would you give up-and-coming artists and animators? RC: Well, in my retirement, I like to use a Japanese felt pen, which is archival (it will last forever) American paints, French paper and English brushes. H: What kind of medium do you like to draw with? That’s like saying ‘Who’s your favorite Beatle? Well, Ringo … then maybe George. RC: I cannot differentiate between the Smurfettes, or Angelica from the Rugrats, or Scooby Doo - they’re all my favorites. RC: My great grandmother - and the fact that every time I picked up a pencil, the adults would say how wonderful it was! The difference between me and other kids was that when they stopped drawing, around seven or eight-years-old, I kept going. Ron Campbell: I started at six years old. Herald: How old were you when you started drawing? Incoming Oceanside students Thomas Harmon, 12, and his brother, Shane, 8, conducted this interview with Campbell: Since retiring after a 50-year career, Campbell has been painting subjects based on the animated cartoons he has helped bring to the screen. With particular emphasis on The Beatles, he shows his Cartoon Pop Art in galleries worldwide. His former studio was awarded a Peabody and an Emmy for his work in children’s television.
#TALKING SUBMARINE CARTOON MOVIE#
“Yellow Submarine,” recently celebrating its 47th anniversary, has become a permanent fixture in pop culture, defining the psychedelic 60s for generations to come. In his book, “Up Periscope,” “Yellow Submarine” producer Al Brodax gives Ron Campbell a great deal of credit for saving the movie and tying it all together at the last minute.Ĭampbell has also been involved with some of the most beloved cartoons including, Scooby Doo, Winnie The Pooh, Krazy Kat, George of the Jungle, The Jetsons, The Flintstones, the Smurfs, Goof Troop, Rugrats, Ed, Edd & Eddy and dozens more.
#TALKING SUBMARINE CARTOON SERIES#
The Beatles Saturday Morning Cartoon Show received monstrous ratings in its time slot - a 67 percent share! It continually fueled new music to the young people of America as they followed the bouncing drumstick to each Beatles tune. Campbell also wrote the forward to the definitive book on the Beatles cartoon series “Beatletoons.” He was nominated for a daytime Emmy for Outstanding Achievement in Animation. 16 through 21.) Campbell appearances are thanks to Campbell, who is originally from Australia, showcased his original Beatles cartoon paintings created specially for the showing, and he was commissioned and created new Beatles pop art paintings while appearing at the exhibit. Ron Campbell, 76, director of the 1960’s Saturday morning Beatles cartoon series that aired on ABC from September 1965 through April 1969, and animator of the Beatles film “Yellow Submarine,” made an appearance at Long Island Picture Frames on Sunrise Highway in Massapequa to commemorate the 50th anniversary of the final New York concert appearance by the Beatles.
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